网线的排列顺序:“Aye by Meeting Someone-II”餐厅 :把梦境变成现实

2018-06-19 12:38:30

体彩排列五开奖结果 www.7ezh.com.cn

“Aye by Meeting Someone-II”餐厅 :把梦境变成现实 

“Aye by Meeting Someone-II”餐厅MS-II Restaurant Design

建筑是通过对空间的塑造,从而创造一个只有在想象中才存在的现实。这是WAY Studio未/建筑设计研究所最近完成的项目——北京朗园Vintage的“Aye by Meeting Someone-II”餐厅所使用的空间处理方式——把梦境变成现实,为进入的人提供一种短暂的超现实体验。

Architecture, through the manipulation of Space, is the real-life magic for creating a reality that only previously existed in the imagination. This is the vision WAY Studio had when designing recently completed project “Aye by Meeting Someone” restaurant in Beijing --- to bring dreams into actuality, to design a spatial performance, and to provide a transient surreal experience to all who dare enter.

The objective is to break through independent realities, to create a fantastical place - a Wonderland if you will. As the directors of space create a theatrical experience, the guests become the actors, their alternate selves.  Our goal is to break through objective restrictions and turn them into subjective expression, or perchance to provide merely a trigger for the transformation. The building is composed of two dualities -- inside and outside, where reality is separated from illusion; and up and down, where one travels to odes of the past or the mysteries of the future. For each individual visitor, it reflects and breaks through to their deepest desires.


The spherical entrance, like the rabbit hole of Alice in Wonderland, crashes into the wall and creates ripples on this divisional boundary between reality and illusion, tearing a portal for visitors to pass through from one realm to the next. The exterior fa?ade is constructed with red brick. In order to create this “ripple” effect, computational scripting was used to design the brick layout, originally intended to couple with mechanical arm construction for accuracy.


In the end, a more craftsman method was devised; one-to-one plots of brick positions were printed on 270 rolls of paper, filling a small room. Workers laid each brick on top of the printed outlines, literally constructing “as drawn”. The fa?ade has become juxtaposition between technology and craftsmanship, linking modernity with tradition.


Through the entrance into the first floor, you‘re transported to a historical fantasy. The open dining space is composed of traditional elements and materials, but in a non-traditional way, reminiscent of the Jazz Age. The infamous architectural symbol, arches, were used but broken down into hung bronze panels and intersected with a cave-like space, Sci-Fi meets Gatsby. It is in that moment of deja vu, that familiarity which you cannot exactly place, that is the center of this project.


Duplex seats at the bar were designed for those that prefer a more intimate setting. Wine and stories spill from each glass as you get lost within the greater galaxy that is the jade bar top. And the most vital of any building, the bathroom, has been revitalized from a hidden room into an exclusive dressing room and a private stage for your best performance.


To the left of the entrance, enter into a wormhole, with curvatures of the floor and wall disturbing the perspective, causing one to question whether you are moving vertically or laterally as you pass through the folds of space and time -- it is a staircase leading to the other world, the second floor, towards the uncertain and the unknown. The second floor accommodates an open dining space that can also be used for events.


Here, ceilings are becoming walls, blurring the edge of space; hidden doors open to reveal pink, blue, and red --- three private dining rooms, each inviting you to its own fantasy.


As you enter the innermost sanctuary, secretly brush your hands against the soft and furry texture of velvet on the walls, as the walls are growing and gathering towards the light. Velvet was tailored for each twisting panel, similar to tailoring a dress. This material was inspired by and chosen due to its signature appearances in classical performance fashion or theatre curtains.


On the south wall, light filtering features were created, translucent but not transparent, allowing light to filter through creating new internal scenery.

除了满足功能和流线等基本需求之外,WAY Studio认为建筑更是关于时间和空间的艺术,只是在这里时间的节奏被折叠了,空间被设计成一种诱导体验,鼓励将想象变为现实的勇气。

On top of basics such as functionality and circulation, we believe architecture is an art of time and space. In this project, WAY Studio seduces its audience through the use of Space, allowing for new stories to be created every time someone enters and wanders, creating atmospheres to tempt the possibility of making imagination into reality.

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标签:WAY Studio    MS-II餐厅    未建筑设计研究所    
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